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Getting your show produced on the Fringe

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Independent producer Mark Cartwright and Gate producer Nina Segal will run a masterclass on how they work with theatre-makers to produce work on the Fringe. 

From working with a writer and director to fundraising and venue negotiations, they will offer two different perspectives on how to make your show happen while also offering advice for writers and directors who want to find a producer to help them put on their work. With experience between them of working both within a venue and independently, this masterclass is your chance to understand how different producing models work.

This masterclass welcomes producers, directors, writers, actors and anyone interested in how small-scale fringe theatre is made. You could have a show that you want to see produced or you could simply be an audience member keen to learn more about the way shows get made.

The masterclass is £15 and participants are welcome to also book £10 tickets for that day’s 3pm matinee of I'D RATHER GOYA ROBBED ME OF MY SLEEP THAN SOME OTHER ARSEHOLE.     

Nina Segal
Prior to joining the Gate, Nina worked as a freelance and building-based producer in London and New York with 59E59 Theaters, Donmar Warehouse, The TEAM, Finborough, Bushwick Starr, Gym at Judson, Old Vic Tunnels and BAC.  She has produced and devised work for the Roundhouse Theatre, Young Vic, Camden People’s Theatre, Theatre Delicatessen and Yale University.  
Mark Cartwright
Mark is producing Shrek The Musical (UK National Tour) and I’d Rather Goya Robbed Me of My Sleep Than Some Other Arsehole (Gate Theatre) in 2014. He has previously produced The Fu Manchu Complex (Ovalhouse), Jigsy (Assembly Rooms, Edinburgh / Tobacco Factory Theatre, Bristol / Royal Court, Liverpool), Fireface (Young Vic), The Hairy Ape (Southwark Playhouse), Bunny (Soho Theatre and 59E59 Theaters, New York), which was a NY Times Critics' Pick, Blue Surge (Finborough), and The Boy on the Swing (Arcola). He was Associate Producer of Herding Cats (Hampstead). Other producing credits include Time Warner Ignite 1 and The 24 Hour Plays: Old Vic New Voices (Old Vic) and he was Assistant Producer on Caryl Churchill’s Light Shining in Buckinghamshire (Arcola).In 2012 he was awarded a Stage One Bursary for New Producers. In 2013 Mark worked as the Stage One Apprentice at Playful Productions, working on such shows including Charlie and the Chocolate Factory, The Audience, Yes, Prime Minister, Dirty Dancing and Wicked. See http://www.markcartwright.co.uk for further details of upcoming productions.   

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10.30am – 1.30pm, Sat 29 March

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Eclipsed (2015) Photo by Helen Murray

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Independent producer Mark Cartwright and Gate producer Nina Segal will run a masterclass on how they work with theatre-makers to produce work on the Fringe. 

From working with a writer and director to fundraising and venue negotiations, they will offer two different perspectives on how to make your show happen while also offering advice for writers and directors who want to find a producer to help them put on their work. With experience between them of working both within a venue and independently, this masterclass is your chance to understand how different producing models work.

This masterclass welcomes producers, directors, writers, actors and anyone interested in how small-scale fringe theatre is made. You could have a show that you want to see produced or you could simply be an audience member keen to learn more about the way shows get made.

The masterclass is £15 and participants are welcome to also book £10 tickets for that day’s 3pm matinee of I'D RATHER GOYA ROBBED ME OF MY SLEEP THAN SOME OTHER ARSEHOLE.     

Nina Segal
Prior to joining the Gate, Nina worked as a freelance and building-based producer in London and New York with 59E59 Theaters, Donmar Warehouse, The TEAM, Finborough, Bushwick Starr, Gym at Judson, Old Vic Tunnels and BAC.  She has produced and devised work for the Roundhouse Theatre, Young Vic, Camden People’s Theatre, Theatre Delicatessen and Yale University.  
Mark Cartwright
Mark is producing Shrek The Musical (UK National Tour) and I’d Rather Goya Robbed Me of My Sleep Than Some Other Arsehole (Gate Theatre) in 2014. He has previously produced The Fu Manchu Complex (Ovalhouse), Jigsy (Assembly Rooms, Edinburgh / Tobacco Factory Theatre, Bristol / Royal Court, Liverpool), Fireface (Young Vic), The Hairy Ape (Southwark Playhouse), Bunny (Soho Theatre and 59E59 Theaters, New York), which was a NY Times Critics' Pick, Blue Surge (Finborough), and The Boy on the Swing (Arcola). He was Associate Producer of Herding Cats (Hampstead). Other producing credits include Time Warner Ignite 1 and The 24 Hour Plays: Old Vic New Voices (Old Vic) and he was Assistant Producer on Caryl Churchill’s Light Shining in Buckinghamshire (Arcola).In 2012 he was awarded a Stage One Bursary for New Producers. In 2013 Mark worked as the Stage One Apprentice at Playful Productions, working on such shows including Charlie and the Chocolate Factory, The Audience, Yes, Prime Minister, Dirty Dancing and Wicked. See http://www.markcartwright.co.uk for further details of upcoming productions.   

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The Gate Theatre Company is a company limited by guarantee registered in England & Wales No. 1495543 – Charity No. 280278