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The Human Voice

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‘I’m whispering into your ear - and we couldn’t be further apart.’

Experience this extraordinary monologue of one woman’s desperate fight for love.

Jean Cocteau’s iconic play explores how technology disrupts our most intimate relationships, with audiences listening in via headphones on a final phone call between two lovers.

Starring Leanne Best – Cold Feet; Black Mirror; Star Wars: The Force Awakens; Line of Duty; Home Fires.

Check out rehearsal blog series for backstage access by Assistant Director, Jessi Clayton.

Week 1 rehearsals
Week 2 rehearsals

Take a look at rehearsal photos here.

Photos by Ikin Yum Photography.

Running time: 60 minutes, no interval

Get Tickets

13 September – 6 October

Evening performances: 7.30pm
Matinees: 3pm

Press Night: 18 September
Supporter’s Night: 20 September
Young People’s Night: 28 September
Caption Night: 4 October

Cast & CREATIVES

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Leanne Best
Television credits include: Carnival Row (Amazon Studios); Tin Star (Sky Atlantic); Cold Feet (Big Talk/ITV); Babs (BBC); Good Karma Hospital (ITV); Black Mirror (Channel 4); Home Fires (ITV); Undercover (BBC); HG Wells – The Purple Pileus (Sky Arts); Line of Duty 3 (BBC); From Darkness (BBC); The Outcast (BBC); Ripper Street (BBC); Fortitude (Sky Atlantic); New Tricks (BBC); The Driver (BBC); Shetland (BBC); Lucan (ITV); Worricker: Salting the Battlefield (BBC); Stepping Up (BBC); Good Cop (BBC); Moving On (BBC); Mobile (Granada/ITV); New Street Law (Red Productions); Heatwave (BBC); Wire in the Blood (Coastal Productions); Casualty (BBC).
Film credits include: Little Joe (COOP99 Filmproduktion); Film Stars Don’t Die in Liverpool (Eon Productions); The Infiltrator (Good Films Ltd); Native (Film First Productions); Star Wars: The Force Awakens (Lucasfilm); The Woman in Black 2: Angel of Death (Exclusive Media); The Be All and End All (Whatever Films); Casbah – A Documentary (Best Wishes Prods).

Theatre credits include: Educating Rita (Liverpool Everyman); The Matchbox (Tricycle Theatre, Liverpool Everyman); Backbeat (Theatre LA); Damned by Despair (National Theatre); A Streetcar Named Desire (Liverpool Playhouse); My Zinc Bed (Royal Theatre Northampton); The Hypochondriac (Liverpool Everyman); Horse Marines (Plymouth Drum); Drowning on Dry Land (Salisbury Playhouse); Desperately Seeking Susan (Novello Theatre); The May Queen (Liverpool Playhouse); Our Country’s Good (Liverpool Playhouse); Fleet Street Nativity (Liverpool Everyman); The Way Home (Liverpool Everyman); Unprotected (Liverpool Everyman); The Morris (Liverpool Everyman); Macbeth (Liverpool Everyman); Popcorn (Liverpool Playhouse).
Short film credits include: Cotton Wool (Quinn Productions).

Leanne was nominated for the TMA Award for Best Performance for The Matchbox at Liverpool Everyman.
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Jean Cocteau – Writer
Jean Cocteau, (1889 - 1963) was a French poet, librettist, novelist, actor, film director, and painter. Some of his most important works include the poem L’Ange Heurtebise; the play Orphée; the novels Les Enfants terribles and La Machine infernale and his surrealistic motion pictures Le Sang d’un poète and La Belle et la bête.
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Daniel Raggett – Director

Daniel Raggett’s work in theatre includes, as director, A Marked Man for HighTide; Old Vic New Voices: 24 Hour Playsat the Old Vic; The Seagull at Bloomsbury Theatre; and Mr Kolpert at the Edinburgh Fringe. As associate director his work includes Network and The Red Barn at the National Theatre; Hamlet at the Almeida and in the West End; 1984on UK tour, international tour, at the Almeida, in the West End and on Broadway; Mary Stuart, Iliad and Odyssey at the Almeida; and Bad Jews in the West End. He was previously resident director on The Nether in the West End; and staff director on Three Days in the Country and A Small Family Business at the National Theatre.

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Sarah Beaton – Designer
Sarah is an award-winning performance designer.

She studied Design for Stage at The Royal Central School of Speech & Drama, graduating in 2011 with First Class Honours. Later that year she was awarded The Linbury Prize for Stage Design.

From 2015-2016, she was the Designer On Attachment at The Old Vic Theatre. Her work has been exhibited at The National Theatre, World Stage Design (Cardiff), the Victoria and Albert Museum and World Stage Design 2017 (Taiwan).
 
Sarah has designed for venues in the UK and internationally including Sadler's Wells, Manchester Royal Exchange, Trafalgar Studios, Hampstead Theatre, The Oxford Playhouse, The Lowry, Altes Schauspielhaus (Germany), Theatre Rigiblik (Switzerland), Freedom Theatre (Palestine) & Lit Live Festival (India).
 
She is an Associate Artist of Engineer Theatre Collective and a visiting lecturer at the RCSSD. She works from her studio in Shoreditch, London.
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Mike Winship – Sound Designer
Recent sound designs include: Youth Without God (Coronet); #HonestAmy (Pleasance, Edinburgh); Sonny (ArtsEd); Anatomy of a Suicide (Central School of Speech & Drama); Anna X (Vault Festival); The Jumper Factory (Young Vic); The Winter’s Tale (National Theatre & Schools Tour); The Mysteries (Manchester Royal Exchange); The Human Voice (Gate); Zoo (Theatre 503); Shadows (Eurydice Speaks) (Schaubühne, Berlin). As Associate Sound Designer: Macbeth; Hedda Gabler (National Theatre UK & Ireland Tours); The Girl on the Train (West End/UK & Ireland Tour); The Hairy Ape (Park Avenue Armory, New York) Other sound work includes: Sound design for Bastille’s Doom Days Amazon Music album launch campaign; Binaural sound recordist for Opera North’s Aeons sound walk, as part of the Great Exhibition of the North 2018; Assistant sound designer on Land Rover’s binaural Discovery Adventures podcast.
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Kirsten Buckmaster – Stage Manager
Kirsten is a London-based Stage Manager, who moved to the UK from Singapore in 2011. She recently spent a year in Cardiff studying an MA in Stage and Event Management, at Royal Welsh College of Music and Drama.

Theatre credits include: Deputy Stage Manager – A Midsummer Night’s Dream (UK Tour / Lyric Hammersmith), Dido and Aeneas (Blackheath Halls Opera), Peter Pan (Harlow Playhouse), The Last Ambulance (Gate Theatre, Notting Hill), Street Scene (Sherman Theatre), MOLLY (Pleasance Theatre / Edinburgh Fringe Festival).

Assistant Stage Manager - Twelfth Night (The Watermill, Newbury), My Mother Said I Never Should (The Other Palace), Land of Our Fathers (UK tour), The Separation (Theatre503), The Dinner (Vault Festival 2015).

Stage Manager Intern - Knives in Hens (Donmar Warehouse). 
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Gareth Howells – Production Manager
Gareth has been working as a Production Manager for over 10 years in London and internationally. He has worked on small and large scale tours, site specific, immersive and new and experimental theatre.

Gareth is also the Director of Groundswell Arts, an arts organisation that creates bespoke projects with schools, community and children’s centres.
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Jessi Clayton – Assistant Director and Dramaturg
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Hugo Aguirre – Design Assistant
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Kiera Coward-Deyell – Sound Technician
Kiera Coward-Deyell is a musician and community worker keen to explore collaborative approaches to sound design. Her recent projects have included building a sound system with young people, facilitating free dj workshops for women and non-binary people and creating a sound archive of Scottish waterfalls. She djs & produces music under various aliases.
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Workshop: Working with Monodrama

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The Human Voice: Rehearsal Photos

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In Conversation with Emily Reynolds

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‘I’m whispering into your ear – and we couldn’t be further apart.’

Experience this extraordinary monologue of one woman’s desperate fight for love.

Jean Cocteau’s iconic play explores how technology disrupts our most intimate relationships, with audiences listening in via headphones on a final phone call between two lovers.

Starring Leanne Best – Cold Feet; Black Mirror; Star Wars: The Force Awakens; Line of Duty; Home Fires.

Check out rehearsal blog series for backstage access by Assistant Director, Jessi Clayton.

Week 1 rehearsals
Week 2 rehearsals

Take a look at rehearsal photos here.

Photos by Ikin Yum Photography.

Box office: 07473 552618

Registered address: 
38 Mayton Street London, N7 6QR

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The Gate Theatre Company is a company limited by guarantee registered in England & Wales No. 1495543 – Charity No. 280278

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