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Shubbak: Working with Music

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Following his performance of multi-award winning Bahraini poet Qassim Haddad’s masterpiece Chronicles of Majnun Layla, Amer Hlehel, the actor and writer of ★★★★★ Taha (Young Vic) will be in conversation about this incredible retelling of the classic love story with live music.

The story of love, passion, eroticism and unfulfilled desire, often described as the Arab Romeo and Juliet, is radically reinterpreted with an original soundscore and accompaniment from Rihab Azar and Kareem Samara on electronic and acoustic Oud, who will both join Hlehel on the panel. Join us immediately after the show for this fascinating discussion.

This conversation will be chaired by Ellen McDougall , Artistic Director of the Gate.

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Cast & CREATIVES

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Rihab Azar
Syrian oud player and music educator, graduate of the Conservatoire of Damascus (2014). Rihab was the first woman oudist to perform accompanied by the Syrian National Orchestra for Arabic Music (2014). In 2015, she was a recipient of  a Chevening scholarship which enabled her to study Music Education at Master’s level at UCL. A year after, Arts Council England Recognised Rihab as a musician of “exceptional promise”, which allowed her to work in the UK as a “Migrant Talent”. Since 2015, Rihab has performed in the UK as a soloist and in ensembles and orchestras such as the London Sinfonietta and the newly-formed Third Orchestra. She has collaborated on several interdisciplinary, compositional and cross-genre projects and has been featured multiple times on different BBC platforms. Through her regular appearances, Rihab has supported the causes of several community groups, organisations and initiatives active in the fields of education, migration, women empowerment and social justice. Kareem Samara Biog: Kareem Samara is a multi-instrumentalist, improviser, composer and organiser, currently finishing an MA in Sonic Arts at Goldsmiths University, London. His particular area of interest is in diasporic identity and de-colonial possibilities of sound and music. As well as performing solo with traditional Arabic instruments and electronics, Kareem is a serial collaborator with musicians and poets worldwide. He is part of an international trio with Ryan Harvey and Shireen Lilith, whose songs explore the link between struggles such as Black Lives Matter, the Arab Spring and beyond.
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Ellen McDougall – Artistic Director and Joint CEO (2017-2022)
Ellen is Artistic Director at the Gate Theatre. Previous credits at the Gate include – Dear Elizabeth (2019), Effigies of Wickedness (2018), The Unknown Island (2017) and Idomeneus (2014). Other credits include Our Town (Regents Open Air) and The Wolves (Stratford East); Othello (Sam Wanamaker Playhouse at the Globe); the Lyric’s annual pantomime – Aladdin (2016) and Cinderella (2015); The Rolling Stone (Orange Tree Theatre and Manchester Royal Exchange); The Remains of Maisie Duggan (Abbey Theatre, Dublin); The Glass Menagerie (Headlong); Anna Karenina (Manchester Royal Exchange); Henry the Fifth (Unicorn Theatre); Glitterland (Secret Theatre/Lyric Hammersmith) and Ivan and the Dogs (Actors Touring Company/Soho Theatre) – nominated for an Olivier Award. Ellen was formerly part of the Secret Theatre Company at the Lyric Hammersmith. She trained as an assistant to Katie Mitchell and Marianne Elliott. She was awarded an International Artists’ Development Award (ACE/British Council) in 2012.
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Amer Hlehel – Director
Actor, director and playwright Amer Hlehel is based in Haifa. He has written several plays, including Taha (Best Production- Asian arts aword- Edinburgh 2017), Lanterns of The King of Galilee, and The Player (with Firas Khateeb and Ala Hlehel), and recently Al-Carmel Owner. He has appeared in numerous productions, including as Caliban in Shakespeare’s The Tempest in David Farr’s production at the RSC, Stratford-on-Avon; as Abu Altayib in Goats (Royal Court Theatre, London); as Truffaldino in A Servant of Two Masters; and as The Soldier in Kafka’s In the Penal Colony (Young Vic).
Hlehel’s film work includes Palestinian films: Tel Aviv on Fire, Personal Affairs, The Idol, The Time that Remains, Amreeka, Man Without a Cell Phone and the Golden Globe award-winning Paradise Now. His work as a stage director includes What the Story is All About, Breaking News, Finding the Dream, Thanks and Altagreeba.
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Kareem Samara
Kareem Samara is a multi-instrumentalist, improviser, composer and organiser, currently finishing an MA in Sonic Arts at Goldsmiths University, London. His particular area of interest is in diasporic identity and de-colonial possibilities of sound and music. As well as performing solo with traditional Arabic instruments and electronics, Kareem is a serial collaborator with musicians and poets worldwide. He is part of an international trio with Ryan Harvey and Shireen Lilith, whose songs explore the link between struggles such as Black Lives Matter, the Arab Spring and beyond.
Read Bio

Presented with additional support from Arab Fund for Arts and Culture, British Council, Drosos Foundation and Qatar Foundation International.

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Shubbak: Chronicles of Majnun Layla | أخبار مجنون ليلى

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Shubbak Playreadings

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Shubbak: Jogging |  جوغينغ

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Following his performance of multi-award winning Bahraini poet Qassim Haddad’s masterpiece Chronicles of Majnun Layla, Amer Hlehel, the actor and writer of ★★★★★ Taha (Young Vic) will be in conversation about this incredible retelling of the classic love story with live music.

The story of love, passion, eroticism and unfulfilled desire, often described as the Arab Romeo and Juliet, is radically reinterpreted with an original soundscore and accompaniment from Rihab Azar and Kareem Samara on electronic and acoustic Oud, who will both join Hlehel on the panel. Join us immediately after the show for this fascinating discussion.

This conversation will be chaired by Ellen McDougall , Artistic Director of the Gate.

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